moby is a name synonymous with us all in the electronic music world and we are lucky enough to have been able to hand select some drumcode artists to remix his work. this 9 track package included remixes from enrico sangiuliano, dense & pika, bart skils, alan fitzpatrick, marco faraone, tiger stripes, manic brothers and luca agnelli. each one has been thought out and accomplished with precision using some of moby s synonymous samples. this the first of four vinyl parts sees luca agnelli remix porcelain & bart skills remix the moby classic go

moby is a name synonymous with us all in the electronic music world and we are lucky enough to have been able to hand select some drumcode artists to remix his work. this 9 track package included remixes from enrico sangiuliano, dense & pika, bart skils, alan fitzpatrick, marco faraone, tiger stripes, manic brothers and luca agnelli. each one has been thought out and accomplished with precision using some of moby s synonymous samples. the second of four vinyl parts features the enrico sangiuliano remix of why does my heart feel so bad & the manic brothers remix of go

with our own record label, ran from the legendary mary go wild basement in amsterdam, we will focus on connecting like-minded artists. expect quality techno and acid productions only. dutch national heroes will be teaming up with international pioneers to create instant classics that will stand out. welcome to mary go wild! (rod remix) after tearing apart the mary go wild basement last year, gregor tresher returned to amsterdam for the worldwide release of his new quiet distortion album on vinyl. he left us with a track that needs to be heard. we got him in touch with another basement legend, benny rodrigues, who obviously didn’t hesitate to join in and make the remix under his rod malmok techno alter ego.

g.markus (soul clap records / exploited / roots for bloom / sneaky music / monologues records / sinnmusik) turns out two raw sounding disco shuffling edits on brand new imprint g-edits.

repress / standard cover ...
on local talk s 74th release it s about time to get real...and we re not only talking about the music! this a heavy and political record that through music expresses the constant struggle for many african americans living in the us today. or like jamie 3:26 said after he first heard sameed s initial version - it instantly hit me with the raw pain and emotion of the lyrics. there is so much struggle in the world today, many black men and women are in emotional, mental and spiritual battles. the message is delivered over two tracks, testify and can t u . both tracks are using the same themes and samples but with a distinct difference on the end result. on the a side we find chicago legend jamie 3:26 teaming up with amsterdam s new shining star masalo (brighter days crew) for a gospel inspired disco / house jam that comes with a slight warehouse feel and a thumping bassline that is 100% on point on the flip sameed is back on local talk with can t u . a track that uses the same foundation as testify but instead goes straight for that dirty disco knock out punch...heavy stuff! as an extra bonus we also included dusty jazz , a fender rhodes driven jazz-house cut from sameed that sounds like it comes straight from a dark juke joint in manchester.

born out of a love for disco records and odd electronics, casino times is the project of producers joseph spencer and nicholas church - a musical partnership that is rooted in house and techno but often treads into the weird and wonderful. since first starting the project in 2010 spencer and church have steadily been crafting a back catalog that reflects their varied tastes and unique approach to electronic music. this has seen them release on a wealth of respected labels such as wolf music, futureboogie recordings & permanent vacation, just to name a few. the debut on omena, decoded ep , consists of four tracks highlighting a distinct development of their musical style. no need to dissect each and every track here to explain how it sounds, just play it and enjoy. everyone from your grandparents to your neighbour and best friend will ask for track ids.

previously spotted on emotional especial with the fantastic love is enough 12inch, plus instruments get the remix treatment in a classic 80s style with the dub is enough single. the producers tasked with delivering versions vary wildly, but they make for a strong combination. jamie paton s -cloudy dub-out- is masterful, simmering the elements down to a sensual bassline and delicate ripples on top, while luke solomon brings his bumpy, off-kilter house style to the table. khidja has a more dramatic, synth laden approach and alphonse creates a dusty, funky roller out of that killer bassline groove.

ike is no stranger to finale sessions at all with his release under the guise innerspace halflife with fellow producer hakim murphy, this time he flies solo under his real name ike release and we are proud to have him on board with this 10 inch release. so let s get to the music with the first cut called tangerines m it takes you for a ride with its rawness and it s thick pads and morphing keys and its wicked bassline. then we have track two called tungstun m we have another floor stomper with this one with its filtered pads and in and out synths just drooling with rawness. this i will say this is a perfect fit for finale select series

out with old, in with the bold… pets prepare us for a fresh new year start with an early-ears peak at what they have in store for 2017. it starts right here with a techno maestro who – thanks to a deep stash of thoroughbred beats on soma, hypercolour, echocord and kontra – shouldnt require much of an introduction: roberto clementi.

reboot takes another slice from his recent album ‘alive’ out for a walk. this time it’s ‘are you losing my mind?’. first we’re treated to the vinyl version full of everything we loved from the original. a stripped down tech house beat sprinkled with a might vocal hymn and plenty of groove. then ricardo takes over the track with his own very particular style. he’s made two distinct versions, ‘hauswiedermischung’ is first. as he’s known to do, villalobos created a kind of chaos in which the track lives without ever losing the groove and with plenty of little surprises to discover throughout. next is ricardo’s twenty four minute ‘losing my miles’ remix, and here is where he really loosens the grip on the track and lets it wander in and out of coherence, taking it and us along for a special ride that only ricardo can deliver. from beginning to end, you don’t know what to expect but you know it when it comes. get it, press play, and lose your mind.

long-time influential techno label mosaic is back with a fine new ep from germany s andre kronert. the odd/even boss has been turning out dubby and atmospheric eps for ten years now, and here he adds three more such sumptuous tracks to his discography. a track called jinx is first and is an economical but effective roller with vast drums, subtle hi hats and a wonky lead synth line that brings a trippy feel to the groove. perfect for basements or warehouses alike, it works on both head and heel in style. bottom line is more forceful and hard hitting thanks to slamming drums and a nervous, twitching, haunted synth sound off in the distance. racing along and taking you with it, the urgency of this one really is compelling. finally, pressure dub is somewhere in the middle, with rolling kicks looping down low, scattered percussive hits up top and unsettling synth motifs all layered up into a smooth dub techno classic. spacious and spooky it is another effortlessly essential cut from kronert and mosaic. available on limited edition 180 gr yellow vinyl only.

following his debut solo release altar ego ep on la mission in early 2016, j choirboy returns with more bombastic breakbeats and raucous rave chords for your earholes. another sharp shot of nostalgia to the heart to have you waking up spluttering in the glory days of 92. simpler times when the internet was still in black-and-white and you and seven of your mates would pile into gazs vauxhall corsa and drive to a field somewhere off the m25 for a propa wicked rave which you found out about from a party hotline on a crumpled flyer with some tenuous reference to science in the title.

2 great downtempo tracks on another fine reissue from adelaide s, isle of jura . check out beach for a sublime tropical winner. big tip! . chrismar chayell‘s it’s never too hot 12&#8243,,,,,,, first appeared on the now defunct antler records back in 1987, but isle of jura make the balmy two-tracker their sophomore release. infusing belgian new beat rhythms with sea breeze and tropical fervour, both sides will transport you to the hidden cove of a deserted caribbean island. as their previous release, a big harvey favourite and fetching a pretty penny in the beardy circles..

* roots pt. iii* is the third installment in petter b s series of homages to his roots of techno. this time with trippy pads gliding across creating a soundscape. on the b-side you find a new drummer track, also a name which has become synonymous with bond. this straight and no-bull-shit-groove continues the names proud tradition. as the inner track on the b-side there is a vocal driven track with spaced out sounds flying by. all accompanied by a heavy drum and slowly evolving hi-hats.

eartoground label boss gareth wild comes up with a solo effort for planet rhythm. warriors in the dance ep consists out of 4 dance floor cuts which all have a somewhat dark approach to them. nevertheless, gareth wild shows his versatility throughout these cuts which span from percussive to more ominous cuts. all of them contain the same feel for fat textures and dance floor appeal.

well,what about tuesday? israeli hybrid house and techno masters juju & jordash return to dekmantel records with yet another outstanding release. their relentless work ethos makes you wonder if these guys sleep at all. maybe thats what tuesdays are for? dkmntl 043 is a three-tracker and a fine display of gal aners and jordan czamanskis next-level, improv based way of painting records. monday mellow is a dubbed out, twisted and subtly emerging house groover, while wednesday something continues the journey with a dense electronic jazz-tinged stomper. thursday, heavy. demonstrates their full range, combining eerie melodic synth excursions with a jagged bassline an out of this world, destructive yet classy house bomb. as always their intergalactic excursions are superbly executed. lets give them some rest on those tuesdays.

madlib’s remix of champion sound, plus a previously unreleased track recorded in the original jaylib sessions: “da rawkus.” vocals: j dilla. production: madlib. this is the frst time these remixes have been released on vinyl. it is the frst time “da rawkus” has been released anywhere. the remixes were originally included on the champion sound (deluxe edition) double cd.
the vinyl release includes a download code.

first out in our 30yrs anniversary -year- is a collaboration between eargoggle & villa abo. that means electro meets slammin techno & house as well as a little cutie in the end. about 300x pressed....

next up creme organization is a return by regular artist lake haze. following his natural insight ep earlier in the year comes intergalactic communicationz, four more fresh tracks of acid, techno and electro that is brilliantly evocative. the portuguese artist known as goncalo salgado also please son labels like unknown to the unknown and is a real hardware master. at the gates ov futron is a turbulent lack track with zipping acid and a cacophony of percussion that is visceral as well as cinematic. drexciyan aquarium is, as the name suggest, an aqueous electro track that slithers and slides through an expansive underwater world. poseidon s dream then offers a more rugged electro groove that is backed by heavenly pads and a real sense of loss in the synths. last of all, intergalactic communication closes out this far travelling and intergalactic ep with a sci-fi deep house track that is filled with light, 909s and a sense that the end of the world is coming.

eshu records hits release number ten with a new ep from the in-house production collective made up of jocelyn abell, ivano tetelepta and daniel lekatompessy. fraktur features six tracks of stripped back house and techno that are all atmospheric and heady. opener winter track is a smooth and rolling dub techno number that is grainy and economical yet hugely absorbing thanks to its circling synth details and woody drums. creating moods is even more expansive and spacious, with gently swirling pads enveloping a soft, broken rubber kick drum. the title track is another expertly distilled, dry and heady groove with its frayed edges and warm analogue feel, then hello really flips the script with over driven jeff mills kicks and intergalactic synths bring a spooky sci-fi feel to proceedings. yorubaland is then a cosmic ambient interlude with fax tones bleeping and blipping as lazy pads smear out in the background and last of all core comes on strong with more quick and slick intergalactic techno carrying you off to some distant planet. this is another faultless ep from this fine dutch collective. pressed on 180 grams vinyl.

bleep. easily one of the most influential sounds to grow out of the burgeoning electronics scene of the late 80s. nowadays, easily one of the most overlooked genres. but not around njimgen. shipwrec are turning some deserved attention to those pioneering plinks and plonks for a 12- homage to the trailblazers of the sound, lfo. quadratschultz provides the material, the german artist serving a warehouse brewed, acid spiked, tribute to mark bell and gez varley. posthuman ruffle the edges that bit more with a bleary eyed 303 monster before countryman fah gives basslines a steroid injection for a thick and meaty mix. varley closes with a tribute to his former group. his lfo remix might be a solo endeavour but it has all the raw unrefined dancefloor energy that characterised the music of a certain pair of young lads from leeds cerca 1990. bleep bliss.

nice price deal !!! massive support by mathias kaden and nico purman !! great feedback from troy pierce, josh wink, agoria, tiefschwarz ... the story continues … the other head of the slash label points out a deep and also percussive mood for the uprising enterprise. pherox gives an impression of the most interesting modern club music today. the -atletico ep- could be david lynch s personal soundtrack for his paranormal stories. exclusive on decks.de this is a limited release

nights get ever colder. the label owned by paris stalwart d’julz welcomes back an old friend in anonym, the man responsible for bcr006 and bcr021 returns for a four-track outing which includes a remix from orlando voorn. sultry atmospherics and masterful production are evident throughout this crisp new addition to the bass culture catalogue, another instant classic from the detroit badboy anonym.the first of the four tracks on this ep goes by the name of ‘castaway’, and its effortless groove will have you drifting away to a desert island the second you hear it. as a slightly obscured vocal repeats ‘castaway’ over and over, you’re lulled into a dreamlike state. simple and highly effective, its progression is subtle and invigorating. right after that we have dutch supremo orlando voorn taking charge of the remix and pushing the track deeper into celestial territory with flashes of synth that transport you out into the cosmos. the atmosphere of the original is expertly retained, with a steady pace and cool, mellow vibes throughout. flip the record over and there are two more killer cuts. first we have ‘doin it to ya body’, which keeps things minimal and straight to the point. bright disco strings lie at the heart of this track, slowly weaving their way in and out of the background while the drums and rugged b-line keep your feet moving and head bopping. lastly, ‘wara coco’ offers more hypnotic vibes drawing you with its dainty melody, dancing around the top end, while a mean bassline throbs away, deep down in the low end. it’s an strong combination and finishes off the ep in style.

monologue plays out like a novel, where the abernathy’s expand the perception of family over ab’s expansion of the stripped down soul/r&b music we’re used to hearing. whether he’s playing piano, wurlitzer, synths, guitar, programming drums, live drums, or arranging strings and horn lines, ab’s mastery of musicianship is on full display through monologue’s array of colorful, complex compositions, coupled with his rich, layered vocals.

h-productions proudly presents >styge< by cari lekebusch. this is the sixth release in the full color spectrum serie, that is aiming to result in 9 different colored vinyl 12inch. both tracks are maintaining a stripped down policy, solid sound pictures and simple arrangements - with no unnecessary elements, breaks or changes. thus giving the dj more freedom to play around during the blending. and the sound pictures have intentionally been tuned while having the various h-productions releases in mind, that came out around 1993-1997.

ilario alicante is back on the track and he simply beats the shit out us! the italian techno maestro presents a stronger than strong release that defines the alicante-sytle in pure perfection. the extreme detroit flavoured alicante double pack tracker comes with remixes by adventice and mark broom. alicantes originals “virgo storm” and “hypno” are based on a massive and masculine beat programming and wave the “purpose maker” and “axis” flag like no other of his releases so far. this is heavy material - this feeds rob hood and jeff mills fans and we can see and hear alicantes admiration for the underground resistance back catalogue here! adventice (dj deep & romain poncet) remix for “virgo storm” follows this direction however it leaves out the manic synth elements and incorporates even more peaktime-floor-action-sounds that have only one message: total dancefloor madness! mark brooms remix for “hypno” introduces a very cool but deep-dark and filtered organ-bassline which gives his remix an even more hypnotic touch in contrast to the cheeky and nasty original by ilario alicante. this 4-track-package proofs that good and solid techno is still fresh and alicante leaves a major footprint with this release! play this loud and drive your speakers to the edge, azzurro alicante is back on cocoon recordings!

ritual chants : beach !!
ritual chants is a stellar earthbound and outer space odyssey spanning 3 chapters, respectfully embellishing psychemagiks taste and passion for the wonderful, the sublime and very often unusual.

the ballroom basement of a hotel. the place for jack nicholsons mean encounter with a ghost or possibly the place for a cocaine laden sexual encounter with part of the media agency elite. the label worked there. and so did pablo. buying talent, slinging drinks, just a couple sneering punk kids looking towards a completely different berlin future. there was a time when rough and tumble crossed paths with diamonds. maybe it created diamonds in the rough? pablo always sent the label demos before the label was a label and could do something with them. pablo has had a string of successes since then (too numerous to point out) and the label became a label. became uncaged. time to let this relationship out of the cage. it is a long way from that ballroom basement, now time to do some thrusting, propelled, grinding, noisy, sonic shit together. house music? is it really? just in case you forgot that no one is all grim guts and clenched teeth, that wild abandon sometimes comes in the form of an ecstatic beach dance, nick höppner comes around and forces you to go out to hasenheide park for a picnic and to pick up a bag of dirt weed. >so fucking buy it<

ltd nioce price deal, 50% off , max 1 copy per customer...
more than often, musicians feel that releasing music is giving birth to a baby but no one knows better than women. stefny winter realizes a dream by putting out a collection of meaningful tracks, all made in various important moments of her life. more so, some of the tracks were made while she was pregnant, making this project even more special to her. coming from the 90s as a dj who would juggle between styles, stefny explores with no compromises or time stamp, her various tastes through time. >wind walker< becomes a savory collage of music that wont really stick to standard styles but will become familiar to any ears. limited color-vinyl pressing (one transparent, one white/grey marbled).

nice price deal !!! airhead continues to impress and confound with his run of releases on r&s. his last release >wait/south congress< found itself gaining praise right across the board. it showcased his atmospheric guitar styles as well as his deft programming skills, resulting in some trying to pigeon-hole his sound in a post rock/electronica direction. this ep proves it not that easy to pin him down with two new tracks of fresh club music. pyramid lake again showcases his expert manipulation of samples, but this time weaves them into a drunken dance groove, full of whirring percussion and heavy bass. black ink is a bubbling, percussive roller that in the hands of a lesser producer would sound like a traincrash. it bounces along almost out of control and sucks you into its charms until it hits you with some uplifting, haunted chords, at which point it is impossible to resist.

20th anniversary reissue - entirely remastered. audiophile 180 gram vinyl in gatefold sleeve.

atr is a one of a kind reggae collective based in parkside brooklyn. founded by scrillamatic and kg, at their core they are just group of friends who hang out in the park and sing, all day. the routine is simple, they meet up at their favorite hangout spot on the side of a lake, play beats off of a beat up but loud stereo, and belt out lyrics out into the air. sometimes a crowd gathers but it’s usually just a few like minded artists sharing their love for music. natives of the west indies, but coming of age in brooklyn, they have a very unique perspective on life and the world we live in. with subject matters varying from traditional roots medleys, smoked out ganja anthems to gangsta badman chants to heartfelt soulful ballads telling tales of the ghetto and more, they have a lot to say.

back by popular demand, a rap vacation x-mas with mndsgn and ahwlee is now on vinyl for the first time, and just in time for the holidays. contains 3 new vinyl only bonus tracks by ahwlee. art direction by chris hund. being limited to 500 red and green tie dyed copies, these are sure to sell out fast. don’t sleep, and happy holidays!

the greatest hits from death row records artists on 4x12 inch vinyl, housed in a gatefold sleeve.

best records own luminary claudio casalini was at the helm for this one-shot studio project that captures italo disco at its most exuberant and organic. originally released in 1984, the bassline on -stop your lies- is a quintessential slice of synthetic throb from a golden era, but the electronic elements are wonderfully offset by rich instrumentation and a brilliantly camp vocal performance from the unnamed boy-girl combo. the vocal mix on the a side is strong enough for a single-sided cut, but the instrumental on the flip widens out the reach of the record and really lets casalini s superb production shine through

with the grupo almendra album fresh out of the gates, italian label best records jump right back in with a crucial slice of disco funk from noted arranger, producer and karate expert pino presti. -you know the way- is a slinky party starter with on-point slap bass, lively brass and sumptuous philly strings of the highest order. as if the original wasn t funky enough, the b-side features a disco remix from dearly departed new york disco legend tee scott, who subtly buffs up the dancefloor potential of the track to devastating effect.

statue is a live percussion based dance project, the brainchild of melbourne drummer tom gould. over the past five years he has honed his craft in cult melbourne bands no zu and worlds end press but now greets the dance world under the moniker statue. after featuring in last years beats in space - best of the year list with his debut 12-, his second ep ‘monument is a reflection of the human and a testament to dance floors both indoor and out. monument further establishes statue as a fixture in melbourne’s dance music culture, constructed for both warm afternoons and the sweaty early hours of australian summer. the ep traverses multiple tempos, between techno, house and tribal percussion, creating a world of warm percussive dance floor odysseys arriving parched and thirsty for more at it’s aural peak, monument. the expedition ends with an expansive remix by disco halal king pin and recent esp institute alumni, moscoman

this time we present you the golden goldffinch boys on the new fuse label on the more techno orientated side of things. four dark and haunting tracks which stand out of the flood of functional techno nowadays.

&#8203,,one of the foundation artists on samurai horo, asc is an essential part of the labels rebirth with the ’geocentric systems’ ep. taking the grey area sound into heavier, darker territory, ‘aphelion’ and ‘perihelion’ formed the core of this ep with their fervent bpm trickery. these tracks are techno rebuilt with dizzying sensory loss, adding a weightless intensity that feels like a constant attack. ’passel’ and ‘geocentric systems’ offer a dubbed out version of the approach, heavy on the intricate sound design that has become the asc trademark.

lywood has worked alongside some of the most prestigious names in art, fashion, music and film - from led zeppelin to louis vuitton, the venice biennale to the serpentine art gallery, in a career spanning over 20 years. junk sees lywood stepping into the limelight for the first time with these eight epic psychedelic dance-floor and spaced out instrumental visions. junk is inspired by vik muniz’s ground-breaking documentary waste land, which tells the story of the landfill site, jardim gramacho, on the outskirts of rio de janeiro. recycling fragments of german electronica, disco and 80’s synth from his childhood and fusing these with new, found sounds, lywood takes us on a journey through his world of junk re-imagined. five of the tracks are named after some of the largest landfill sites around the world, and trash vortex is named after the swirling mass of plastic waste the size of texas, in the north pacific. lywood stays close to muniz s mission to “change the lives of a group of people with the same material that they deal with everyday”. ** cover artwork by keith coventry, the celebrated fine artist represented by pace gallery** the debut cochabamba album comes courtesy of respected sound designer and fine artist dan lywood!

cassette !!
the footloose lp by expanding universe is a young musicians attempt to drag himself out of one of life’s little dark holes. 24 year old dutch producer kevin huizing turned to music as a way of providing a much needed sense of positivity in the world. the result is an accomplished mixture of modern electronica, classical and world rhythms all composed by someone firmly outside of their comfort zone. the overwhelming theme that holds these contrasting influences together is emotion and a desire to make things better. natural and heart- felt. poignant and inspirational. it’s a masterclass in transforming a negative situation into one that’s magical and full of hope. melodies that will stay with you for ever and compositions that truly over ow with feeling and vibrancy. the eight tracks combine to form a wonderful journey of intergalactic escapism worthy of any movie soundtrack. taking science fiction as inspiration if each song where its own unique character they would undoubtedly fuse together transforming into one giant laser beam wielding robot destroying negativity and saving life’s across the galaxy. each track is great but together as part of the album they are unstoppable.

the mighty flames were a crack bunch of cameroonian musicians, drawn to nigeria by the heavy funk sounds booming across the border like musical moths. for a short time in the late sentries they ‘owned’ port harcourt, destroying dancefloors with an incendiary sound that burned so heavily that it was phosphorescent. metalik funk band is the band at their most deadly.

pattern 3 comes from one of the uk’s hottest producers. tommy vicari jnr is hot right now and you only have to listen to this ep to hear why. 4 strong house grooves which we are sure will be heard on dance floors all across the world.

the first record of luv kluv comes out with 2 housy and powerful original tracks plus two remixes from highly talented berlin artist nick beringer and washington based artist dj nav.

where the factory meets the creek... rudolf c, dj sting, pascal and lou karsh all provide hazy, percussive, driving, and dubbed out live jams for this new melbourne based label. proper essential vibes from the sunshine coast.

the debut release for the label is inspired from lingering between different realities. the original cut of bardo starts the release perfectly with a groovy bass and delayed atmospheric sounds, on point for self inner exploration. ed herbst &#769,s version brings some of his innate talent as a beatmaker. forward moving bass, crisp percussions and expansive sounds, make it perfect for the the late hours. on the flip side, han delivers a tool with layered percussions that are accompanied by futuristic sounds creating a solid groove that will keep you locked in. nick beringer delivers a superb remix of tamed, raw elements and tripped out sounds all along the track make this a dance floor bomb.

chicago 1992. ray barneys dance mania imprint has already been making its presence felt on the streets since way back in 1985 with a slew of releases from luminaries such as lil louis, dj pierre, vincent floyd, armando and many more. step in parris mitchell, under his rhythm ii rhythm alias with a 12inch of pure deepness for the label, oddly this the only one parris released using this particular name. a touch of jazz is a languid, soulful roller that stands out amongst the more tougher edged, frenetic releases on dance mania. this is some late night, smoothed out business across 4 alternate mixes. it s all uptempo snapping drums, shifting jazzy keys and that ridiculously catchy bassline, pure deep house basically. this is the first time a touch of jazz has ever been reissued in full, just as it was originally released in 1992, complete with original dance mania label artwork. 100% legit, reissued in conjunction with dance mania records, chicago il and parris mitchell. do it tonight!

claudja barry s cult -love for the sake of love- gets mike maurro s magic remix treatment for the 7th release on brookside records. this is no ordinary edit or reworking though, mike got his hands on the actual physical master tapes and turned in a refreshed, original mix of this sleazed out downtempo monster. well known by underground disco aficionados by it s inclusion on dj harvey s earth shattering and legendary -sarcastic study masters- mix cd from 2001 this mid 70 s tom moulton mixed number came out on salsoul and caused quite a stir. this new mix really breathes new life into this stone cold classic, mike utilises lots of alternative takes, vocal vamps and instrumentation from the original sessions giving us a version that s never been heard before! a completely new, original mix. if that doesn t get all you disco fiends excited then something is seriously wrong! on the b-side mike takes claudia s -sweet dynamite- into a new realm too, again using the master tapes to full effect to create a new, refreshed version of one of her more popular jams, a raucous, slamming club cut. also released in 1976 and mixed again by tom moulton, mike maurro s version extends everything in just the right way! his rearrangements and remixes are always respectfully executed and it s clear that mike understands and feels the tracks he works on. again, another cult disco cut reworked beautifully for 2016, essential stuff for all lovers of this kind of music, this release is simply unmissable. the record comes in a full colour picture sleeve and these remixes are exclusive to this release and are fully, 100% legit, licensed and sanctioned by all relevant rights holders. simply put, another set of essential mixes from a modern day master! file under - *essential disco*

nancy azzurro comes out of nowhere. well, that’s not entirely true—lovefingers met her about 10 years ago on the beach near her home on the island of sardinia—but in terms of our musical orbit, she is a very private artist, creating only the purest music, straight from the heart. these three gorgeous songs were produced during her young adulthood and would become secret weapons for a handful of djs she’d meet over the following years. still standing the test of time today, they’re now finally seeing a proper release. side-a’s grace invites us into nancy’s world where disco and house collide—the live drums, percussion and bassline hold down a blanket of synth strings and wah-wahs. halfway through this epic enters a piano hook of the highest order, an emotional rush that brings together everything we love on the dancefloor, guaranteed to induce goosebumps. on side-b, she rounds out the release with the dreamlike, percussive and yugo-tinged illustrations & the large, and closes with the title track teen bee, a loopy cowbell-driven dive into the deep, filled with luscious sweeping chords and meandering keys. the esp institute is honoured to close out 2016 (one seriously heavy year) with such a beautiful and cohesive release. thank you and goodnight.